After Salzburg, Koblenz and Budapest, St. Petersburg is now the fourth European location in which the American artist is staging her solo exhibition "Personal Path". On view until January 29, 2018 in the State Russian Museum are 113 of her paintings.

“Personal Path” at the Ludwig Museum in St Petersburg is the first show in Russia for Park City, Utah and Martha’s Vineyard artist Susan Swartz. More than 100 paintings from the early 2000s through the present will be on view from Tuesday, November 27, 2017 to January 28, 2018.

Susan Swartz Studios is proud to support the opening of the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis.

At the famous Deutsches Eck, or “German Corner”, where the Rhine and Moselle rivers converge, lies one of Germany's oldest and most beautiful towns – Koblenz. It has been dedicated as a UNESCO world heritage site and is considered to be a national treasure. It is also the backdrop for Susan Swartz’s latest solo exhibition, Personal Path, where 80 of her works occupy three floors of the City’s esteemed Ludwig Museum.

Susan was recently invited to participate in the Art in Embassies (AIE) program and her work will be displayed at the US Ambassadorial Residence in New Zealand. AIE, formalized by President John F. Kennedy in 1963, uses the visual arts to achieve the US State Department’s goals of promoting public diplomacy through cross-cultural dialogue. AIE has over 20,000 participants globally, including artists, curators, galleries, museums, private collectors, and universities.

Museum Ludwig Koblenz and Susan Swartz Studios are proud to announce Susan Swartz's solo exhibition, A Personal Path. Consisting of approximately 80 major works, Susan's paintings will be featured in the entire museum and will be on view from May 21 to August 2, 2015. The Exhibition will include a number of very recent paintings as well as significant earlier work from private collections and museums.

The Bhutan Series is a new set of paintings inspired by Susan’s recent trip to Bhutan, the land of Gross National Happiness. Focusing on native vibrant colors, The Bhutan Series explores the region’s landscape, in particular its rare confluence of spirituality and natural beauty.

The Kingdom of Bhutan is a land of startling beauty and aesthetic contrast: craggy peaks and verdant valleys, fraying rope bridges stretching across milky blue glacial rivers, terraced rice paddies and stone templates strung with faded prayer flags. Much has been made of Bhutan’s promotion of Gross National Happiness as its primary national measurement.

As the Salzburg Festival commences in earnest this week, Susan Swartz has made the trek from her studio on the sea in Martha’s Vineyard to the mountains of Austria. Traveling to Salzburg to celebrate the beginning of the Festival and the continuation of her exhibition, A Personal Path, Susan’s journey is in many ways representative of the breadth of her collection. From the waves that lap at the shores of Massachusetts to the winds that blow across the forested peaks of the Wasatch Mountains in Utah, Susan is a master of depicting scenes of great beauty from both settings.

Once in a while we are treated to something unexpected that reminds us of the power of human creativity and passion. A Personal Path at the Kollegienkirche in Salzburg is one of those rare treats and the announcement of the exhibition’s extension through fully half of the world-famous Salzburg Festival is a magnificent icing on the cake.

Summer is settling upon Martha’s Vineyard like a picnic blanket atop a hill. As the sun’s rays grow stronger and friends and neighbors flock toward the shore, we are reminded of the awesome power of the sea to motivate and inspire. There is no better time than this moment to reflect upon Susan Swartz’s water paintings – the breadth and depth of which are not to be overlooked.

Susan Swartz is an artist on a journey, her body of work tells a story – it quietly whispers of her innermost inspirations to those who take the time to simply be with each painting. Over the course of her career, Susan has explored realism, impressionism, expressionism and has recently arrived at a more abstract resting place, her work now leaves more open to interpretation than ever before.

At the height of the Park City ski season, nestled in the ambient lower ballroom of the Stein Eriksen Lodge in Deer Valley, the Kimball Art Center presents a salon which dances with light and color. Featuring a variety of work that speaks to every taste, the Winter Art Salon plays host to pieces by Susan Swartz, Dale Chihuly, Linda Lee Johnson, Alexandra Hart, Nelson Mandela and His Royal Highness The Prince of Wales from February 21-23, 2014.

Today Zions Bank opens their new Idaho Headquarters in Boise. The top floor will known as the "Founders Room" and will feature Susan Swartz's two new works, Idaho Majesty I and II each 48x85, in addition to the amazing Boise vistas.

Susan is an artist who not only sees, but also relishes the contrasts of nature. Perhaps nowhere is this more apparent than in her inspiration itself. For large portions of the year, she paints from her mountaintop studio in Utah, surrounded by the repetitive linear forms of bare aspen trunks and the craggy peaks of the high desert. There’s a sharpness to Susan’s pieces created in the West.

As the bright blooms of spring begin, one hue finally dominates the landscape around Susan’s studio in the Utah mountains: green. Susan is well accustomed to this annual shock of strong alpine color and has incorporated summer’s shade into many of her earlier works. Even so, a lifetime of mountain springs and ocean summers could not have prepared her for the particular and verdant hues of green that are native to Ireland.

Carl Sandburg on the transient beauty of nature.

As the heat of summer recedes into our skin and the last tomatoes wither on the vine, Susan looks forward to the approaching autumnal equinox. September 22 marks not only the first day of autumn, but also the point in the year when night and day are of equal length, the midpoint between the brightness of summer and the darkness of winter.

Yes, it really is an English year for Susan! In choosing the recent paintings for their Susan Swartz November exhibition, Belgravia Gallery loves Transition 17 60 x 60. It's still spring in the mountains, and this painting reminds Susan of the beautiful poem from 1967 by the great English poet Philip Larkin.