SUSAN SWARTZ DESCENDING INTO A RICH MASH

Landscape of Resonances 009

Landscape of Resonances 009

With daylight savings suddenly behind us, the days of growing darkness are here. The paradox of light and shadow brings necessary balance, and not only in a painting. As an artist, Susan embraces this darkness as a ballast for the brightness of spring. And, she knows that in any season, the natural world offers both beauty and terror, both life and death, both light and dark, all combined in a rich mash. 

In this season of change, Susan is struck by the words of poet Mary Oliver:

Lines Written in the Days of Growing Darkness

“Every year we have been
witness to it: how the
world descends
into a rich mash, in order that
it may resume.
And therefore
who would cry out
to the petals on the ground

to stay,
knowing, as we must,
how the vivacity of what was is married

to the vitality of what will be?
I don’t say
it’s easy, but
what else will do

if the love one claims to have for the world
be true?
So let us go on

though the sun be swinging east,
and the ponds be cold and black,
and the sweets of the year be doomed.”

— MARY OLIVER

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SUSAN SWARTZ: “THE MOST INTERESTING LECTURE YOU’LL EVER ATTEND”

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THEIL AND SWARTZ: THE COMPLEXITY OF NATURE THROUGH TWO DISTINCT LENSES